OBSIDIAN ONE: Dark, intense, atmospheric electro-industrial music influenced by black/death metal, with noise, ambient, and synth (and whatever else I feel like creating).
Black Moon is the core of Obsidian One's sound — a continuation of the black metal-inspired Dark Sun (rhythmic noise compilation of tracks from IV, VI, VII, and VIII).
School of Earth, Winter Sky, I, Dreamer, and Avatar are lighter, more ambient and electronic.
All albums are available for free in high-quality downloads on Bandcamp. Simply enter any price (including 0) and your email, and the album will be sent to you instantly.
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FirestarterGenre: Death Synth, Electro-Industrial
School of EarthGenre: Ambient, Electronic
TemptressGenre: Black Electro, Ambient, Noise
Winter SkyGenre: Ambient, Winter Synth
Black MoonGenre: Black Industrial, Noise, Ambient
I, DreamerGenre: Ambient, IDM, Experimental
Dream MasterGenre: Electro-Industrial, Noise, Synth
Dark SunGenre: Black Industrial, Noise, Ambient
Woven VisionsGenre: Electro-Industrial, Noise, Synth
Ghosts of the PastGenre: Black Industrial, Noise, Synth
The Dark NightGenre: Electro-Industrial, Noise, Synth
The Ninth GateGenre: Electro-Industrial, Ritual Ambient
We Who Dare EnterGenre: Electro-Industrial, Noise, Synth
Opening of DoorsGenre: Electro-Industrial, Synth, Noise
EsotericismGenre: Electro-Industrial, Synth, Noise
Shadow WorkGenre: Electro-Industrial, Noise, Synth 
FIRESTARTER: Death synth, black electro, and dark ambient — Obsidian One style.

SCHOOL OF EARTH: Ambient and electronic with a lighter, more uplifting feel than my usual work.

TEMPTRESS: Atmospheric and intense black electro fused with noise, ambient, and haunting female spoken vocals.

WINTER SKY: Obsidian One's exploration of winter synth, blending elements of dungeon synth and fantasy.

BLACK MOON: My first full-length album. Black industrial, rhythmic noise, and dark ambient. Pure Obsidian.

I, DREAMER: A continuation of my experimental electronic journey, exploring new atmospheres and soundscapes.
AVATAR: Part one of a two-part experimental electronic journey, exploring dreams, fears, and other realities.

DREAM MASTER: With dark, hypnotic soundscapes that progress and evolve, Dream Master is perhaps my most mature blackened electro-industrial release to date.

DARK SUN: This is a compilation featuring my favorite rhythmic noise tracks, each sharing a similar sound and style. These tracks originally appeared on separate releases but fit together cohesively as their own collection:
- Lingchi (We Who Dare Enter)
- What Was Never Me (The Dark Night)
- For They Know Not (Woven Visions)
- Replicating Roaches (Woven Visions)
- Through Tears and Longing I Feel Again (Ghosts of the Past)

WOVEN VISIONS: Dark and intense, Woven Visions fuses high-velocity industrial beats, synth, noise, and emotion. She Knows the Devil weaves beauty into the shadows, whereas the album closes in a storm of noise and catharsis with For They Know Not. This release reflects on unconscious familial and societal systems that value behaviorism and indoctrination over authenticity and love, and the damage that results.

GHOSTS OF THE PAST: Ghosts of the Past is perhaps my darkest release yet, channeling black and death metal intensity through punishing electro blast beats, unbridled chaos, and raw emotional force. This album is a confrontation with the shadows within and the specters without.

THE DARK NIGHT: The sixth chapter of Obsidian One fractures the boundaries between industrial, techno, and noise — a hypnotic fusion of evolving patterns, electro-metal blast beats, atmospheric chaos, and the project's most punishing, seething noise track to date: What Was Never Me. The Dark Night channels a world on the edge of collapse, where identity dissolves and only truth remains.

THE NINTH GATE: The fifth chapter from Obsidian One, and my most atmospheric release to date. The Ninth Gate fuses blackened electro-industrial with dark ambient, channeling esoteric destruction through evolving structures, spectral melodies, raw synthetic aggression, and sound magic from dimensions unseen. Inspired by the symbolism of The Nine Gates of the Kingdom of Shadows — the fictional 17th-century book at the heart of the neo-noir horror thriller film The Ninth Gate — this album unearths ancient secrets and forbidden knowledge.

WE WHO DARE ENTER: Exploring the darkest depths of human history, this work continues to refine the blackened Obsidian sound, fusing dark ambient waves, relentless blast beats, and rhythmic power noise into a brutal, immersive experience. Each track builds an atmospheric arc of tension, surging with momentum and fury, while the album itself reaches its chilling climax: Lingchi. We Who Dare Enter is not for the faint of heart, but for those willing to face the shadows of reality.

OPENING OF DOORS: Delving deep into the subconscious through the exploration of dreams, nightmares, hypnagogic visions, and psychedelic journeys, Opening of Doors continues to shatter boundaries with its hypnotic rhythms, blistering beats, wintry synth atmosphere, and alchemy of sonic magic. This album dares you to descend into the deepest depths of the soul, where true transformation begins through the fearless integration of shadow and light, and the radical embrace of the Self.

ESOTERICISM: Delving into themes of mysticism and mythological symbolism, Esotericism weaves pummeling beats and rhythmic synths with the power of industrial, the shadows of dark ambient, and the spirit of black metal — a natural continuation of the Obsidian One sound. This album is dedicated to the free spirit who defies convention, forging their own path of authenticity and truth.

SHADOW WORK: Created as part of my own shadow work, this debut EP merges the raw power of electro-industrial with the intensity of black and death metal, at times beginning in the shadowy depths of dark ambient before surging into heavier, more aggressive territory. It is dedicated to the adult survivor of childhood abuse, neglect, and trauma.